AURAS is an exploration of the realm of musical sound that’s formless or indefinable in nature. These sonic sculptures might be formed and managed utilizing MIDI keyboards and controllers, together with MPE (Midi Polyphonic Expression) expertise such because the ROLI Seaboard or Haken Continuum, which have the power to mould the sound per notice while taking part in.
In addition to exploring the curated sound world of the AURAS patches, new sonic landscapes might be created and customised utilizing the COLOURS atmosphere. Easy project of sound shaping parameters to any MIDI sliders, knobs or controllers makes designing fully distinctive performable textures straightforward and fast.
SOUND DESIGN PHILOSOPHY
The sound world of AURAS focuses totally on summary and impressionistic textures and rhythms. It’s influenced by the kinds of composers and artists who blur the boundaries between sound design, orchestration and music. John Luther Adams, Ben Frost, Ingram Marshall, Tim Hecker, Ian William Craig, Machinedrum and William Basinski had been all reference factors for a library that explores the manipulation of sound as if it had been an brisk area or aura of sonic texture that consistently shifts in form and color.
Deeply programmed MIDI management allows this idea to be performed with intuitively and expressively. Not like the way in which an everyday pattern library provides a strictly outlined and static snapshot of a sound, AURAS permits the shapes and types of every sound to be performed with in a dynamic and distinctive manner.
All kinds of sounds had been recorded as materials for the sound design, with an emphasis on capturing efficiency and motion slightly than an unlimited array of multi-sampled notes. Strings, synths, winds, area recordings, percussion and extra had been used as supply materials that was processed utilizing a variety of strategies and results to create a sonic panorama that ranges from comfortable and fragile to finish chaos.