Reveal Sound’s gentle synth Spire has shortly turn out to be a regular within the plugin assortment of most aspiring producers, with its highly effective function set and spectacular audio high quality permitting the creation of an enormous vary of fascinating sounds. On this 3-hour course from Producertech senior tutor Rob Jones, you’ll be taken by each part of the plugin interface and proven a mess of strategies for designing quite a lot of completely different patches.
Spire’s 4-oscillator sound engines supply a bunch of distinctive choices for the kind of synthesis, with amplitude, pulse width and frequency modulation all accessible, in addition to a sync mode. That is additional enhanced by a double waveform function, the place the primary waveform is selectable from all normal oscillator sorts and the second from an extended record of sample-based waveforms, which could be mixed independently in every oscillator and made to work together in strange methods. As soon as Rob has defined how every mode works and the way waveforms can then be processed and blended within the unison and blend sections, he offers various patch design examples to assist cement the strategies discovered to this point.
The subsequent a part of the course then tackles Spire’s filters and varied modulators, together with envelopes, LFOs and a stepper, earlier than shifting onto the Arpeggiator, EQ and FX. As soon as each a part of the synth has been handled, Rob strikes onto a collection of intensive patch design classes, with the primary displaying the designing of a gritty, raucous bass, the second a gripping lead and the final a multi-part, groove sequence.
Signing up to the course will get you immediate 24/7 entry to the streamed tutorials for so long as you want, plus a obtain pack containing the patches made on the course and 10 bonus presets from Loopmasters. Take a look at the free pattern modules earlier than signing up for an instance of the course model and content material, which ensures you’ll stroll away with a a lot improved understanding of how to use Spire to create your personal masterful sounds!
Module 1 – Wave Part – 2 Classes
A information to the oscillator engines and the various completely different modes inside them for creating traditional, PWM, FM and sync sounds with the synthesiser and sample-based waveforms.
Module 2 – Unison and Combine Sections – 2 Classes
A module displaying how the unison part permits a bunch of detuning results and in addition intervals and chords to be made, earlier than the width and panning of the oscillator is outlined.
Module 3 – Instance Wave Designs – 2 Classes
A easy instance of utilizing all Four oscillators to create a detuned noticed preset, adopted by a extra complicated instance of layering oscillators to create a patch.
Module 4 – Filters – 2 Classes
A information to the filter part, together with the person filter controls and the way to arrange and use them in collection and parallel modes.
Module 5 – Modulators – 2 Classes
Spire’s fundamental modulators are coated, taking a look at how to modulate oscillator pitch in one-shot and steady looped trend with the envelopes and LFOs, respectively.
Module 6 – Stepper – 1 Lesson
A module displaying how to use Spire’s stepper to modulate the filter cutoff up and down, so as to create a traditional, rhythmic bass patch.
Module 7 – Arpeggiator – 1 Lesson
The Arpeggiator is used to create a dancing, melodic patch, with the sequencer bars shifting the pitch of notes throughout a number of octaves in a syncopated rhythm.
Module 8 – FX and EQ – 2 Classes
The ultimate sections of the synth are coated, displaying how they allow the appliance of quite a few results in addition to parametric EQ to the grasp output.
Module 9 – Patch Design 1 – Bass Half 1 – Four Classes
The primary a part of a prolonged collection of classes displaying how to create a bass patch, which features a information to the completely different monophonic modes accessible, artistic use of filtering to add extra layers of sound, and software of results.
Module 10 – Patch Design 2 – Bass Half 2 – Three Classes
The bass sound from the earlier module is expanded, with a bass layer added utilizing one other oscillator, modulation utilized to the shaper impact, after which essential parameters on the synth mapped to completely different macro controls.
Module 11 – Patch Design 3 – Lead – 5 Classes
A multi-layer lead patch is made, consisting of an FM hanging sound, bolstered by filtered noise, adopted by a extra gradual sync’d oscillator for the secondary a part of the sound.
Module 12 – Patch Design 4 – Sequence – 2 Classes
A rhythmic, looping sequence is created, which features a psy model bass, syncopated minor chord stab and up-beat hello hat.